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Diffferent people see different things in the performance. I was doing solo shows in the nineties...and I had a song in which I shouted "Americatakes drugs in psychic defense." I would change the country for whever I was (touring)...I went to Glascow...and I yelled "Scotland takes drugs in psychic defense!" And there was one guy there and he was a novelist and that was Irvine Welsh, who wrote the book 'Trainspotting.'
"I'm a grandfather. To five children. Which ain't going down so well the old Prince of Darkness, but know, it's a matter of fact."
I am a singer, so I feel my position is to set the guitar player up. To me, it's all about the guitars. I'm setting him up and going, "Ta-da!" and the whole audience is going, "Fuck, he's cool." That's what turns me on.
They'll never be able to create alcohol, a drug - a whatever - that can mimic what you feel when you perform.
Playing music with someone is somewhere in between conversation and sex.
Diffferent people see different things in the performance. I was doing solo shows in the nineties...and I had a song in which I shouted "Americatakes drugs in psychic defense." I would change the country for whever I was (touring)...I went to Glascow...and I yelled "Scotland takes drugs in psychic defense!" And there was one guy there and he was a novelist and that was Irvine Welsh, who wrote the book 'Trainspotting.'
I'll be the first one to say that some of my early stuff was not the best material, but when I performed them onstage you thought it was a stadium anthem, and I could have been at a bingo hall somewhere with a Home Depot light show.
I got into music because they wouldn't make the songs I wanted to hear.
