The video in question is embedded below, and it’s everything we’ve come to expect from Gaga, with a little Beyonce thrown in the mix. Gaga’s an inmate at a Prison For Bitches. There’s a Gaga penis joke within the first minute and a half. She wears sunglasses with lit cigarettes glued to them. She has thick black Chola eyebrows Michael K would pee himself over. Beyonce picks her up from prison in the Kill Bill Pussy Wagon.

We’re confused. But we like kinda it.

Play “spot the sponsors!” while you watch the video below:

UPDATE: The video has been mysteriously marked “private.” Seems like it was released a couple of hours early, before its scheduled 11:30 p.m. ET premiere on E! News. We’ll check the link again after its official premiere.

UPDATE #2: As we suspected, the link’s back up and running. Enjoy!

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Another female-fronted video arrived today: English pop duo Goldfrapp, fronted by Alison Goldfrapp, released the clip for “Rocket.” The synth-heavy song gets an appropriately ’80s-feeling video. Check it out the electro-poppy goodness below:

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Ok Go

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Justin Timberlake

Another Justin debuted a video today, too: Canadian cutie Justin Bieber premiered the clip for “Baby.” (One guess as to the single word that makes up the entirety of the chorus, save for an occasional “ohhh.”) The video features Justin and his pals having some wholesome fun at a bowling alley while J pursues a nice young lady. Then Ludacris shows up for some reason.

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Avril Lavigne released her video for “Alice,” the theme song from Tim Burton’s Alice in Wonderland, and it’s so very…Avril-like. Moody, bright colors, kinda angsty and that familiar twangy voice. She’s still got that Rock of Love-style two-tone hair, but the recent divorcee’s long blonde locks resemble Alice star Mia Wasikowska — appropriate, considering Avril’s footage is inter-cut with clips from the movie (which looks breathtaking, by the way). Wonder what Avril’s rumored bf Brody Jenner thinks of the clip.

What do you think of Avril’s new video? Does it make you excited to see Alice?

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Wearing a plaid jacket, John thankfully managed to avoid tears as he played at the Air Canada Centre as part of his Battle Studies World Tour. Afterwards, he broke his agonizing four-day Twitter silence, although he kept the thoughts of his penis — and its racist tendencies — to himself.

Check out our gallery of pics from his show below.

(Photos by Dominic Chan/ WENN.com)

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The video was nominated for Best Pop Video at the 2004 VMAs and even helped her win as Best New Artist at the 2004 World Music Awards.

It was a great follow-up single to “Why Not” and “So Yesterday.” At the time, I liked seeing her be more mature in the video. Of course, I’m no as big of a fan of the song now as I was back then, but I still think it’s catchy and good. Enjoy your flashback!

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And the right answer is… Kellan Lutz! Kellan is one of the lead vampires in the Cullen family on Twilight, playing the character of Emmett Cullen. Hilary has previously shared her love of the Twilight series, so it’s funny to see that she’s worked one of the vampires before

Here is Hilary Duff’s “With Love” music video – see if you can spot the would-be vampire!

Images: Bauer-Griffin

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Remember all those posts I did showing you the four different versions of Hilary Duff’s “Reach Out” music video? Well, one fan (and I’m going to call this fan a genius, because it’s fantastic!) put all four versions framed into one video. So, you can see the exact differences as all four music videos play simultaneously through the song.

So, now that you’ve seen them side by side, which do you like?

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Barney Miller is the founder / editor of Company X. He collaborated with Phil Andelman to create the “Reach Out” music video, both sharing the same vision and aesthetic for the final product. Phil directed the video and Barney Miller was responsible for the edit. Phil says that Barney’s sense of pacing is shrewd, with each cut having a “tight punch”, which definitely was the case in the final product!!

Barney said this of the video:

“The goal was to really conceptualize a defining transformation in Hilary’s career, in a classic party atmosphere. Philip eased Hilary into the shoot and guided her through the visual storytelling process. There was some trepidation from management as to whether the treatments were too risqué, but in the end, I think we realized Phil’s vision beautifully.”

The music video was said to draw inspiration from fashion photography, trying to capture a sense of still photography while also a sense of quick movement. They wanted to make it energetic without being frenetic, grabbing Hilary’s natural nuances in the music and translating that to the video.

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